Audio Settings
Select the driver, input, output, sample rate and buffer size. Euclid presents the values accepted by the active device.
Everworks live rack host / User guide
Euclid hosts live audio-plugin chains as independent racks, then brings them together in a console designed for rehearsals, scenes and real show operation.
01 / First start
Euclid is a live host, not a timeline DAW. Start by making the physical audio path reliable, then build a rack for every important source or processing chain.
Open View > Audio Settings, select the input and output device, sample rate and buffer.
Send a known source to the selected physical input and verify the input meter before creating a rack.
Use Plugin Manager to scan AU, VST3, CLAP and the formats enabled in your build. Euclid stores the verified results.
Assign its input and output before adding the first insert. A new rack is mono input and stereo output where the device supports it.
A session keeps racks, routing, plugin state, memories, cues, control mappings and plugin-window layouts together.
02 / Audio system
Select the driver, input, output, sample rate and buffer size. Euclid presents the values accepted by the active device.
Watch sample rate, buffer, latency, DSP time, CPU load, XRUNs and overload warnings in the top performance area.
| Buffer | Use | Practical note |
|---|---|---|
| 32-64 | Very low-latency monitoring | Only use after testing the complete show session with headroom. |
| 128-256 | Most live plugin racks | Usually the best compromise between feel, CPU reserve and stability. |
| 512-2048 | Heavy processing or playback | Use when processing time approaches the buffer duration or XRUNs occur. |
Safe Start can open a session with racks muted. PANIC sends MIDI safety messages and can temporarily mute racks, depending on the Live Safety preferences. It is a recovery control, not a substitute for correct routing.
03 / Racks and inserts
Every rack has independent I/O, trim, insert order, output fader, color, meter and live state. Use one rack per vocal, playback feed, utility chain or bus that needs independent recall.
Create a rack from the Console right-click menu. Rename it, choose a color, set trim, I/O and fader from the channel strip.
Use the 19-inch rack view to add plugins by name, open their GUI, bypass, mute, remove or reorder their eight insert slots.
Use the connection view whenever the intended chain is not obvious. It is the definitive visual check for input, inserts and output.
04 / Main views
| View | Use it for | Do not use it for |
|---|---|---|
| Console | Mixing racks, trim, fader, rack I/O, meters and selection. | Detailed insert surgery. |
| Racks | Insert order, slot operations and plugin GUI access. | Monitoring all channels at once. |
| Connections | Visual verification of audio and MIDI paths. | Fast show mixing. |
| Patch Bay | Advanced matrix-style routing work. | Everyday rack setup. |
| Euclid Mix | Automix status, reduction, voice confidence and spill comparison. | Editing plugin parameters. |
| Performance | Current/next cue, NEXT, panic and a compact live console. | Building complex sessions. |
Store a workspace or viewset once you have an efficient layout. Typical layouts are Console, Racks, Connections and Plugin Windows.
05 / Memories and cues
Stores the chosen parts of the current state: plugin settings, rack gains, routing, I/O, plugin order, tempo and view. Use filters so a recall changes only what you intend.
Launches a memory and can also change tempo, gain or mute, send MIDI Program Change or OSC, and trigger an audio cue.
Set the rack state and plugin parameters for a song or scene.
Choose global, rack or plugin scope and only the recall filters you need.
Lock final memories so an update or delete cannot happen by accident.
Name each cue by song and section, such as Intro, Verse, Chorus or Solo. Rehearse NEXT in order.
06 / Euclid Mix
Euclid Mix is adaptive per-rack gain management for multi-mic situations. It is not a group fader or send matrix. Enable it on the racks that share a practical attention problem, such as panel microphones, headsets or broadcast contributors.
Use G1-G4 to separate independent automix families. A panel and a presenter headset should not need to compete.
Panel, Podcast, Theatre, Broadcast and Music adapt the response to the context.
Use weight to favour the lead microphone without forcing every other channel closed.
In the Euclid Mix view, compare MAIN and MIX meters, reduction, voice confidence, spill and noise floor. Use this view to tune behaviour during rehearsal, then return to Console or Performance for the show.
07 / Control and plugin windows
Map MIDI CC, notes or Program Change to plugin parameters, rack power, snapshots, cues, Next Cue or Tap Tempo. Check device and channel in MIDI Mappings.
Cues can send OSC to external show-control systems. Check host, port and address during rehearsal.
Store window positions per rack, song or workspace. Use Show plugins for current rack and Hide all to avoid a desktop full of stale windows.
Use it for current/next cue, large NEXT, panic, tempo, CPU, XRUNs, latency and compact channel meters.
08 / Show workflow
09 / Troubleshooting
| Symptom | Check first | Then |
|---|---|---|
| No input in a rack | Console IN and physical device input. | Check channel count, input range, then Connections. |
| No output | Rack power, mute, fader and OUT selection. | Check output meter, device output and routing view. |
| Plugin will not load | Plugin format and Plugin Manager status. | Review Plugin Safety, clear quarantine only when appropriate, then retry. |
| Clicks, dropouts or overload | DSP time, CPU and XRUN count. | Close plugin GUIs, bypass heavy inserts, then raise buffer size. |
| Unexpected state recall | Memory filters and cue association. | Use Compare before Update and lock approved memories. |
| Plugin window is missing | Show plugins for current rack. | Hide all, recall its viewset or reset window positions. |