EVERWORKS BY FLUGE Fluge
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09 FAT BOY Classic + Modern harmonic inflator
SR48 kHz BIT32f
CPU3.1% CH2.0 FMTAU · VST3 · StandaloneAU · VST3
01 / 12 — THE CLEAN SUITE · EverClean

A processor for EverClean on stage.

Recover the SOUL after cleanup.

The focused EverClean engine as a dedicated one-knob plugin. Its real-time defeedback stage detects and removes feedback and resonant ringing while also cleaning noise, bleed and room tail. Zero reported latency, with no channel-strip complexity. Low-end authority and adaptive spectral focus in one insert. MAGNETAR V2 2.3.0 introduces RESOLVE with four distinct styles inside the DRY/WET CORE path while ASCEND, STABILITY and LIMITER remain independent. Zero-latency intelligent livebus processor for master, matrix, stream and PA buses. ATLAS adds weight, punch, air and depth while GUARD keeps translation, low-end and peak safety under control. Dynamic convolution tape engine with 24 curated multitrack, mastering, low-speed, cassette and PCM models. OXIDE combines each machine's linear response with level-dependent H2-H5 colour. Musical algorithmic reverb with a 16-line HyperFDN core, 4D tail modulation, spectral EDR fog and subtle glue so vocals, drums and synths bloom without washing away the source. THE VOID V2 preserves the original Everworks cleanup response in a faster cross-platform engine, measured up to 40.3% lower on Apple Silicon. Turbo extends Void Amount from 100% to 200% for difficult sources without added latency. A dedicated regeneration processor for rebuilding body, continuity and stable detail after cleanup. SOUL keeps the entire workflow to one Regeneration fader and a latency-aligned reconstruction path. Zero-latency adaptive vocal EQ that observes long-term tone, compares it with one of nine tonal populations and applies a bounded 30-band correction while the direct audio remains in the time domain. Intelligent harmonic EQ for 75 instrument and voice profiles across 12 musical contexts, with adaptive target matching, H2-H5 control and measured Live or phase-matched Studio processing. Adaptive low-end instrument with pitch-aware sub synthesis, root reinforcement, resonance, saturation, compression and a dual high-resolution spectrum view. A zero-latency distributed automixer with two global models. Choose EUCLID for spill-aware source focus or CLASSIC for proportional Dugan-style gain sharing; every linked instance follows the same mode while audio remains local.

NO FEEDBACK NO REVERB REAL TIME
↳ Register to Download Free Beta packages in preparation Download OXIDE 1.0.1 View specs
EverClean · Everworks
EverClean plugin interface MAGNETAR V2 2.3.0 interface with adaptive RESOLVE and separate CORE and POST stages ATLAS LiveBus interface with dual RTA OXIDE Tape Engine interface with dynamic tape model controls STARDUST plugin interface THE VOID V2 interface with Matter, Turbo, Body, Consistency and Matrix controls SOUL 0.1.0 regeneration plugin interface D.N.A VOCALS intelligent vocal EQ interface D.N.A ULTIMATE intelligent harmonic EQ interface LEVIATHAN adaptive low-end instrument interface QUORUM 0.3 linked automixer with global EUCLID and CLASSIC modes
EVERWORKS STARDUST Nimbus Vocal EDR TAIL FOG
SPACE ENGINE
MIX38%
PRE28 ms
SIZE64%
DECAY CORE
DECAY4.8 s
DIFFUSIONTEXTURESMOOTHGLUE
TAIL TONE
LOW CUT120 Hz
HIGH CUT16 kHz
WIDTH108%
/ 01Overview

Built for the people.

EverClean is the dedicated one-knob defeedback and source-cleaning member of The Clean Suite. It suppresses feedback and resonant ringing while reducing noise, bleed and room tail, with zero reported latency. MAGNETAR V2 2.3.0 combines low-end shaping with adaptive RESOLVE, ASCEND 0-200%, learned STABILITY, an independent limiter, per-control bypass and dual 8192-point analysis. ATLAS LiveBus is part of The Mastering Suite: a zero-latency intelligent bus processor for live masters, matrices, streams and PA outputs. OXIDE is the magnetic-colour member of The Mastering Suite: 24 curated machines reconstructed with a complete linear response and level-dependent H2-H5 convolution. STARDUST is the third Everworks suite plugin: a musical algorithmic reverb built around a 16-line HyperFDN, tesseract-style delay motion and dynamic Householder feedback. THE VOID V2 preserves the original Everworks model and its familiar cleanup response while reducing live CPU, improving cross-platform performance and adding Turbo for difficult sources. SOUL is the regeneration member of The Clean Suite. Insert it after cleanup and raise one fader to recover body, continuity and stable detail without reopening the complete processing chain. D.N.A VOCALS is an adaptive vocal EQ that compares the stable character of a source with nine tonal populations and applies the result through a causal 30-band filter bank. D.N.A ULTIMATE extends intelligent target matching to voices, instruments, drums and complete mixes, then adds a controllable H2-H5 harmonic layer without hiding the spectrum. LEVIATHAN is an independent adaptive low-end instrument: six immediate macros open into a deep Track, Sub, Tone, Dynamics and Output architecture without adding host latency. QUORUM is a distributed automixer with EUCLID and CLASSIC gain-sharing models. One global selection updates every QUORUM instance in the process while each audio stream remains inside its own track.

  • a.A single Clean Amount control scales the complete defeedback and source-cleaning response.
  • b.The direct path reports zero samples, making it suitable for monitoring-sensitive vocal channels.
  • c.Native mono, mono-to-stereo and stereo routing keeps microphone instances efficient and predictable.
  • a.SUBSTANCE and IMPACT build low-end density and transient authority before the final master stage.
  • b.DRY/WET blends only the CORE domain: SUBSTANCE, IMPACT, RESOLVE and GLOW. At 0%, the CORE path is exact identity.
  • c.ASCEND controls character and density; STABILITY learns the programme and recalls its profile with the session; the limiter remains independent.
  • a.WOW, WEIGHT, PUNCH, AIR and DEPTH move the mix psychoacoustically, not as blunt EQ boosts.
  • b.GUARD watches peak, loudness and translation so the bus stays safe in live routing.
  • c.Every module has bypass, the global Dry/Wet works instantly, and the engine stays at 0 samples.
  • a.Twenty-four curated multitrack, mastering, low-speed, cassette and PCM profiles cover subtle cohesion through obvious character.
  • b.Input selects the dynamic behaviour while Harmonics scales H2-H5 independently from the machine's H1 response.
  • c.Full and Economy modes, native mono/stereo processing and latency-aligned blending keep the engine practical across a complete session.
  • a.16-line HyperFDN tank with geometry-modulated Householder feedback.
  • b.EDR tail view: the star dust is the actual wet decay by frequency.
  • c.Texture, smooth, glue and 4D motion keep the tail wide, soft and behind the source.
  • a.Up to 40.3% lower full-process CPU in the measured Apple Silicon comparison, with an optimized Windows x64 build.
  • b.Turbo extends Void Amount to 200% for deeper cleanup without adding latency.
  • c.Matter, Body, Consistency and four-band Matrix Control remain available in the measured 182-sample live path.
  • a.One Regeneration fader controls the complete reconstruction path.
  • b.Latency-aligned dry and regenerated signals preserve timing while the blend changes.
  • c.SOUL is designed after cleanup for post, playback and other latency-tolerant paths.
  • a.Nine tonal populations define a direction without replacing the source identity.
  • b.An 8192-sample analyzer informs a causal 30-band EQ while audio remains in the time domain.
  • c.Amount, Speed, Freeze and frequency bounds keep adaptation under direct control.
  • a.Seventy-five source profiles and twelve styles provide instrument-specific, musically contextual targets.
  • a.Pitch tracking follows fundamentals from 20 to 300 Hz and drives the generated sub and root layers.
  • b.ABYSS, ANCHOR, ROAR, FURY, GRIP and IMMERSION provide a complete low-end workflow from one view.
  • c.The advanced pages expose 82 parameters for tracking, synthesis, tone, dynamics and output safety.
  • a.Insert one instance per microphone, then choose the same Group and Link number on the channels that should cooperate.
  • b.EUCLID identifies the focused source using useful-voice evidence and temporal correlation; CLASSIC distributes gain proportionally from each channel's detected energy.
  • c.The model selection is global. Priority, Speed and Range remain local controls; Clean DNS is optional and never enters the shared bus.
  • b.H2-H5 harmonics remain visible in the RTA and controllable globally or across four bands.
  • c.Live reports 3 samples; Studio uses a 1920-sample phase-matched high-quality path at 48 kHz.
1 7 16 7 24 40 1 30 75 6 9 knob presets FDN macros models % fader bands profiles macros parameters focused source-cleanup control musical factory presets HyperFDN feedback lines livebus controls plus global mix curated dynamic convolution machines lower live CPU measured against the previous release complete regeneration workflow causal adaptive EQ bands source-specific target profiles immediate low-end controls focused parameters per channel
0 189 5 0 388 3.8 96.7 0 3 0 0 samples samples modes samples samples ms ms samples samples samples samples reported plugin latency reported latency at 48 kHz Chamber · Plate · Hall · Nimbus · Infinity zero-latency direct livebus path reported latency at 48 kHz 3.8 ms measured source path aligned regeneration path at 48 kHz zero reported latency reported latency in Live mode reported host latency reported host latency
100 % free after registration
/ 02How it works

Three stages. One signal path.

01 Listen

Track the source and feedback Build the foundation Psychoacoustic bus read Follow the incoming level Energy decay relief Optimized source cleanup Feed the cleaned source Long-term vocal observation Identify source and context Track the fundamental Publish local evidence

EverClean follows the incoming microphone, tracks emerging feedback and resonant ringing, and maintains an independent cleanup state for every plugin instance. SUBSTANCE follows the low-end foundation while IMPACT restores front-edge authority. Set these two before moving into the master finishing stage. ATLAS follows crest, loudness, transient density and broad spectral balance so the macros react like a live engineer touching the bus. OXIDE tracks the local peak envelope and uses it to select and interpolate the captured dynamic state of the active machine. STARDUST reads the wet tail as a frequency-time field, so the visual fog follows the decay instead of decorating it. THE VOID V2 analyzes the incoming source and applies the original Everworks cleanup response through an optimized native engine. Place SOUL after THE VOID or another cleanup stage. Its reconstruction path receives the already-focused source instead of trying to clean it again. A periodic-Hann LTAS analyzer measures the stable vocal spectrum while the direct signal continues uninterrupted. Choose one of 75 source profiles and a musical context so the target is relevant to the instrument, register and production style. A guarded pitch detector follows the useful 20-300 Hz fundamental while the dual analyzer keeps input and output energy readable. Each instance measures input energy, useful voice, noise floor, confidence and an eight-bin temporal signature, then publishes only that compact metadata to its selected Group and Link.

02 Decide

One useful decision Ascend through the master stage Enhance under guard Rebuild the magnetic response Dense, not metallic Extend cleanup depth Raise Regeneration Compare, then bound Match and shape harmonics Build and control weight Choose the group decision law

Clean Amount scales the complete defeedback and source-cleaning response without exposing internal bands, timing or model controls. ASCEND is the calibrated character macro. STABILITY learns a representative section, stores the profile with the session and adds no audio-path latency. WOW glues, WEIGHT anchors, PUNCH restores front edge, AIR opens presence, DEPTH widens perceived space, and GUARD keeps the bus inside live limits. Partitioned convolution applies the complete H1 response and the level-dependent H2-H5 branches. Harmonics scales colour without removing the machine profile. Prime delay spacing, all-pass delay drift and a 4D-modulated Householder matrix build density while avoiding obvious ringing. Normal mode preserves the original 0-100% response. Turbo extends the range to 200% for sources that need stronger cleanup. The single fader moves through a latency-aligned blend in the processing domain, so Regeneration changes the reconstruction rather than acting as a simple output gain. D.N.A VOCALS compares the source with the selected tonal population and solves a restrained correction inside independent boost, cut and frequency limits. The adaptive EQ follows the selected target while H2-H5, motion, character and dynamics determine how harmonic energy is generated and distributed. Sub synthesis, root reinforcement and resonant tone are shaped through saturation and compression, with each stage available in the advanced pages. EUCLID compares useful-source evidence and rejects correlated spill. CLASSIC follows proportional Dugan-style sharing from channel energy. Changing the mode in one instance changes it across the entire linked QUORUM process.

03 Deliver

Immediate output Limit and verify Direct live output Blend and gain match Glue behind the source Same live timing, lower CPU Stop when it feels natural Causal adaptive output Choose Live or Studio Deliver a controlled low end Apply locally, share no audio

The processed signal remains on a zero-reported-latency path with deterministic bypass and native mono or stereo routing. Use LIMITER drive only when required, compare at matched level, and verify input against output on the dual RTA. Host PDC remains stable when the limiter is bypassed. The path is direct and zero-latency: no lookahead master limiter, no offline-style latency, just controllable live enhancement with Dry/Wet and instant bypass. Source/Tape combines latency-aligned dry and processed paths, then Output restores matched level for an honest bypass comparison. Per-line damping, wet ducking and subtle saturation let the HyperFDN bloom musically without masking vocals or leads. Normal and Turbo both use the same measured 3.8 ms live path. Turbo adds no extra latency. Increase Regeneration only until body and stable detail return. SOUL is deliberately separate from the cleaner so restoration can be judged and bypassed on its own. A 30-band biquad bank moves at the selected speed in the time domain, so the adaptive EQ reports zero samples of latency. Live keeps monitoring immediate at 3 samples, while Studio switches to a 1920-sample phase-matched path for maximum rendering quality at 48 kHz. Mono control, output EQ, high-pass filtering, limiting and global mix keep the generated weight practical at zero reported samples. Speed smooths the local gain, Range limits attenuation and optional Clean DNS reduces local noise. Audio never leaves the plugin instance and the host sees zero samples of latency.

/ 03Features

One-knob defeedback. No setup maze. Eight bypassable controls and an 8192-point dual RTA. Seven live controls for a bigger, safer bus. Twenty-four machines. One level-aware tape engine. Six tools for a 4D musical space. V2: lower CPU with controllable Turbo depth. One fader for source regeneration. Six controls for adaptive vocal direction. Source-aware EQ and harmonics in one readable engine. Six macros above an 82-parameter low-end engine. Linked automixing without a central rack.

f.01

Defeedback + Clean Amount SUBSTANCE WOW 24-model library 16-line HyperFDN engine Optimized Everworks engine Regeneration Nine tonal targets 75 source profiles ABYSS · Sub Level One instance per channel

One large control scales feedback suppression and source cleanup together, from untouched to fully engaged. Low extension and sub fill tuned for techno masters and large PA sub arrays. Psychoacoustic cohesion that makes a live mix feel more finished without needing master-bus latency. Multitrack, stereo mastering, dual-mono, portable, cassette and early PCM profiles cover subtle cohesion through obvious character. A 16-line feedback tank uses prime spacing, all-pass delay drift and dynamic Householder mixing to build density without metallic repeats. The original Everworks cleanup response runs locally in an optimized engine for macOS and Windows. One horizontal control introduces the complete regeneration result without exposing internal reconstruction parameters. Genome, Organic, Gravity, Neon, Pulse, Gloss, Depth, Focus and Air define the direction of travel. Detailed profiles cover voices, drums, basses, guitars, keys, orchestral instruments, electronic sources and full mixes. Adds a pitch-following sub layer with tracking offset, fallback tuning, gate depth and percussive response available underneath. Use QUORUM directly on each microphone track. Instances discover one another through the shared control bus, so no multichannel wrapper or central audio router is required.

f.02

Zero reported latency IMPACT WEIGHT Input / Drive Spectral EDR fog Turbo · 100-200% Aligned reconstruction Amount Musical context ANCHOR · Root Tone EUCLID / CLASSIC global mode

The host receives zero samples of plugin delay, keeping monitoring and live vocal routing immediate. Transient weight for kick authority and drops, shaped to avoid broad master gain jumps. Low-gravity bus support for PA and stream feeds, tuned to feel solid before it feels louder. Input does more than raise level: it moves the selected machine through its captured dynamic kernel states. The analyzer draws the wet decay as a moving frequency cloud, making tail energy readable at a glance. At 200%, Turbo extends suppression depth while keeping the same reported latency and a protected output range. Dry and regenerated paths stay latency aligned, avoiding a timing jump as the fader moves. Blend from the natural source toward the continuously learned correction without replacing its identity. Twelve style contexts reshape the target for the role the source must play, rather than applying one generic curve everywhere. Reinforces the detected fundamental with controllable frequency, Q and gain instead of applying a broad fixed bass boost. EUCLID prioritises source focus and spill rejection. CLASSIC provides proportional Dugan-style gain sharing. Select either model once and every QUORUM instance follows it.

f.03

Purpose-built routing RESOLVE + GLOW PUNCH H1-H5 convolution Early reflections Matter · Matrix · 182 samples Dedicated after cleanup Speed Visible H2-H5 engine ROAR · Resonance Spill-aware correlation

Mono, mono-to-stereo and stereo layouts are handled explicitly, with one efficient pass for mono microphones. Adaptive spectral focus with NATURAL, FORWARD, TIGHT and OPEN behaviours, followed by controlled openness. Transient focus for drums, playback and full-band buses, with safety compensation built around live gain staging. H1 reproduces frequency and phase while H2-H5 add level-dependent magnetic colour through partitioned FFT convolution. Deterministic stereo taps define depth in the first milliseconds while preserving the dry front edge. Matter and Body restoration, four-band Matrix tuning and Consistency stay inside the measured 3.8 ms live path. SOUL does not duplicate the cleaner. It is a focused second stage for post, playback and other latency-tolerant workflows. Slow, Medium and Fast determine how quickly the EQ follows a changing vocal performance. Second through fifth harmonics are measured in the RTA, shown with persistent trails and controlled independently. Shapes focused resonant character around the tracked low end, with drive, slope and mix controls for exact placement. Eight temporal energy bins let the group detect similar material arriving across microphones and avoid opening several channels for the same source.

f.04

ASCEND 0-200% AIR Harmonics 0-200% Damping and diffusion Freeze Motion and character FURY · Saturation Group A-D · Link 1-8

Aligned dry at 0%, calibrated reference behavior at 100%, and extended compression, density and width up to 200%. High-band clarity and expensive shine shaped for live systems, not a static top-end shelf. Scale nonlinear colour independently. Zero keeps the machine's H1 profile, 100% is calibrated and higher settings exaggerate texture. Per-line feedback absorption lets high frequencies die naturally before the body of the tail. Hold the learned correction when the vocal reaches the right balance, then release it when adaptation should resume. Transient or Sustain motion, Even or Odd character and linked or independent dynamics define how the harmonic layer behaves. Adds audible harmonic density with drive, bias, even/odd balance, shape, target range and selectable quality. Create independent automix pools inside one DAW or plugin server. Only instances with the same Group and Link number compete with one another.

f.05

STABILITY PROFILE DEPTH Aligned Source / Tape Glue and ducking Frequency bounds Four bands and pitch follow GRIP · Compression Priority · Speed · Range

Learn a representative section, store the programme profile and scale its fitted minimum-phase correction independently with no added audio-path latency. Perceived dimension and width enhancement for buses that need depth without reverb smear or added latency. A latency-aligned source path makes parallel blending and bypass comparisons phase coherent across the full 0-100% range. Subtle saturation and envelope-aware wet ducking keep the reverb expensive, present and out of the way. Automatic or manual low and high edges plus independent maximum boost and cut keep correction focused. The advanced panel distributes harmonic processing across four bands and can track the fundamental of pitched material. Controls low-end dynamics with threshold, ratio, knee, attack, release, range and automatic makeup options. Bias important microphones, choose Fast, Natural or Smooth movement, and set the maximum attenuation without disturbing the shared detector logic.

f.06

LIMITER + analysis GUARD + Dry/Wet Full / Economy Five musical modes Mid and output Live, Studio and safety IMMERSION · Wet Mix Local Clean DNS

Independent 0-12 dB limiting, CORE-only parallel blend, per-control bypass, dual 8192-point RTA, A/B, gain match, Delta and Live Lock keep final decisions measurable. Live-safe macro with global blend and per-module bypass, so engineers can add only the lift the show can take. Full evaluates H1-H5. Economy keeps the complete linear response with H1-H3 and a bounded dynamic tail for larger sessions. Chamber, Plate, Hall, Nimbus and Infinity cover tight vocals, lush plates and cinematic tails. Focus adaptation on the stereo centre and match the final level with output trim for honest A/B checks. Measured latency is reported to the host, with Delta, auto gain, mono safety and alias protection available for reliable A/B decisions. Blends the complete engine against the dry source while output EQ, mono control, filtering and limiting protect the result. A causal denoise stage works independently on each track after gain sharing. Its audio and state remain local and the path still reports zero samples.

/ 04Core modules

Eight bypassable controls, two clearly divided domains.

m.01SUBSTANCE macro
m.02IMPACT transient weight
m.03RESOLVE + GLOW adaptive focus and air
m.04DRY / WET · CORE blend only
m.05POST · ASCEND calibrated master stage · 0-200%
m.06STABILITY · LEARN · persistent programme profile
m.07LIMITER drive · local power · -0.1 dB ceiling
m.08Power bypass on every knob · stored and automatable
m.09AU · VST3 · Standalone · stable PDC
/ 04Core modules

LEVIATHAN signal path. Track, generate, shape and contain.

l.01Adaptive pitch tracker · 20-300 Hz
l.02ABYSS · pitch-following sub
l.03ANCHOR · root reinforcement
l.04ROAR · resonance contour
l.05FURY · harmonic saturation
l.06GRIP · low-end dynamics
l.07IMMERSION · global wet mix
l.08Output EQ · mono · HPF · limiter
l.098192 FFT · 128-bin dual RTA
l.10AU · VST3 · Standalone
/ 04Core modules

QUORUM signal path. Detect locally, choose globally, apply locally.

QUORUM 0.3 interface showing global EUCLID and CLASSIC automix selection
One global model selection · shared detector metadata · local audio only
q.01Local input · useful voice · noise-floor detector
q.02Eight-bin temporal channel signature
q.03Process-wide metadata bus · no shared audio
q.04Global EUCLID / CLASSIC decision model
q.05Relative-focus scoring · voice confidence
q.06Constant-power linked gain share
q.07Group A-D · Link 1-8 isolation
q.08Priority · Speed · Range controls
q.09Independent local causal Clean DNS
q.10AU · VST3 · zero samples reported
/ 04Core modules

STARDUST modules. Space that stays musical.

s.0116-Line HyperFDN Engine
s.024D Householder Matrix
s.03Tesseract Delay Drift
s.04High-Resolution EDR Fog
s.05Texture Diffusion
s.06Smooth Damping
s.07Glue Ducking
s.08Infinity Freeze
/ 04Core modules

ATLAS LiveBus modules. Psychoacoustic lift, live-safe control.

a.01WOW cohesion
a.02WEIGHT low gravity
a.03PUNCH transient lift
a.04AIR shine
a.05DEPTH dimension
a.06GUARD live safe
a.07Per-module bypass
a.08Global Dry/Wet
a.09A/B · Match · Delta
a.10TP · LUFS · SAFE meters
a.11Zero-latency direct path
a.12AU · VST3 · Standalone
/ 04Core modules

OXIDE signal path. Follow, convolve, blend and gain match.

o.0124-model selector
o.02Input / Drive
o.03Local level follower
o.04Dynamic kernel interpolation
o.05H1 linear response
o.06H2-H5 magnetic colour
o.07Harmonics scaling
o.08Aligned Source / Tape
o.09Output gain match
o.10Full / Economy engine
o.11Mono / Stereo processing
o.12AU / VST3 / Standalone
/ 04Core modules

D.N.A VOCALS signal path. Deep analysis, causal audio.

d.018192-sample LTAS analyzer
d.02Tonal population matcher
d.0330-band response solver
d.04Causal biquad filter bank
d.05Target selector
d.06Amount blend
d.07Slow · Medium · Fast
d.08Freeze state
d.09Low / high frequency bounds
d.10Maximum boost / cut
d.11Mid focus
d.12Output trim
/ 04Core modules

D.N.A ULTIMATE signal path. Target intelligence plus harmonic design.

u.0175 source target profiles
u.0212 musical contexts
u.03Adaptive target EQ
u.04H2 · H3 · H4 · H5 engine
u.05Harmonic amount
u.06Transient / Sustain motion
u.07Even / Odd character
u.08Linked / Independent dynamics
u.09Four-band harmonic balance
u.10Pitch follow
u.11Delta · Auto Gain · Mono Safety
u.12Live / phase-matched Studio
/ 04Core modules

THE VOID V2. Original Everworks cleanup, with Turbo when needed.

THE VOID V2 with Matter, Turbo, Body, Consistency and Matrix Control
THE VOID V2 2.0.2 · native 48 kHz processing with automatic model-rate SRC at 44.1, 88.2, 96 and 192 kHz · Turbo extends Void Amount to 200%.
v.01Original Everworks cleanup engine
v.02Void Amount · normal 0-100%
v.03Turbo · extended range 100-200%
v.04Matter / Body · source restoration
v.05Consistency · target and speed
v.06Four-band Matrix · 3.8 ms live path
/ 04Core modules

SOUL signal path. One control, one defined job.

SOUL 0.1.0 regeneration plugin with one Regeneration fader
SOUL 0.1.0 · dedicated source regeneration after cleanup.
s.01Regeneration · complete amount
s.02Latency-aligned reconstruction
s.03Body and continuity recovery
s.0448 kHz processing path
s.05Mono and stereo operation
s.06Signed beta packages in preparation
/ ATLASLiveBus release

ATLAS LiveBus is ready for live tests.

Built from the zero-latency Magnetar base and redesigned for direct live buses: bigger perceived mix, safer output, instant bypass, Dry/Wet and clear TP/LUFS/SAFE feedback.

ATLAS LiveBus plugin screenshot with dual RTA
Release package
Latency0 samples
FormatsAU · VST3 · App
macOS13+ Universal
Windowsx64 VST3 · App
ValidatedAUVAL · Measure
Bus useMaster · Matrix · Stream
↳ Download for macOS ↳ Download for Windows
/ 04Open community

Not to sell, but to improve together.

⚡️

100% Free for Everyone

Register once and download the available Everworks plugins for free. No subscription, no watermark, no paid license. In return, we ask for real-world feedback from engineers and testers.

🛡️

Real-World Telemetry

Help us refine the Everworks engines. Share feedback on specific sources, microphones, rooms, stages and demanding setups.

🤝

Shape the Beta

Suggest features, vote on new DSP modules, and collaborate directly with the Everworks developers on future versions.

Open community board Join the Discord
/ 05Technical

Specs & compatibility.

Plugin formats

Formats
AU · VST3 · StandaloneAU · VST3
Binary
macOS ARM64 · macOS x86_64 · Windows x64macOS Universal (arm64 + x86_64) · Windows x64Apple Silicon development build · release targets pendingmacOS ARM64 · macOS x86_64 · Windows x64
Package
Signed + notarized macOS PKGs · Windows x64 installerSigned and notarized Universal DMG · Windows installerSigned macOS and Windows beta packages in preparationSigned and notarized Universal DMGSigned and notarized Universal DMGSigned + notarized macOS DMGs · Windows x64 installer
Modes
Clean Amount · Active / Bypass Clean Master · Master Safe · Techno Weight · KS28 Sub Fill · Kick Authority · Air Glue · Festival Check WOW · WEIGHT · PUNCH · AIR · DEPTH · GUARD · Dry/Wet 24 models · Input / Drive · Output · Source / Tape · Harmonics · Full / Economy Chamber · Plate · Hall · Nimbus · Infinity Void Amount · Turbo 100-200% · Matter / Body · Consistency · Matrix Control Regeneration Genome · Organic · Gravity · Neon · Pulse · Gloss · Depth · Focus · Air 75 sources · 12 styles · H2-H5 · Live / Studio ABYSS · ANCHOR · ROAR · FURY · GRIP · IMMERSION EUCLID / CLASSIC global mode · Automix · Group A-D · Link 1-8 · Priority · Speed · Range · Clean DNS

Audio engine

Sample rates
44.1 / 48 / 88.2 / 96 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 / 192 kHz 48 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 kHz 44.1 / 48 / 88.2 / 96 kHz
Bit depth
32-bit float internal
Channels
Mono · Stereo
Latency
0 samples reported · direct cleanup path 179 / 189 / 328 / 357 / 645 / 701 samples @ 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 0 samples · direct livebus path · 32-bit float internal 388 samples / 8.083 ms @ 48 kHz · latency-aligned source and tape paths Zero dry latency · 16-line HyperFDN · 44.1-192 kHz tested 152 / 182 / 413 / 368 / 846 samples @ 44.1 / 48 / 88.2 / 96 / 192 kHz · automatic internal model-rate SRC 4641 samples / 96.7 ms @ 48 kHz · aligned regeneration path 0 samples reported · causal 30-band EQ · 44.1-192 kHz tested Live: 3 samples / 0.06 ms · Studio: 1920 samples / 40 ms @ 48 kHz 0 samples reported · direct adaptive low-end path 0 samples reported · linked metadata updates on the next host callback

System

macOS
13 Ventura or newer · Universal 13 Ventura or newer 13 Ventura or newer 13 Ventura or newer · Universal 13 Ventura or newer 13+ Intel · 14+ Apple Silicon macOS beta package in preparation 13 Ventura or newer · Universal 13 Ventura or newer · Universal 13 Ventura or newer · Universal 13 Ventura or newer · separate Apple Silicon and Intel packages
Memory
Zero allocation (audio thread)
Precision
float32 deterministic
CPU
Apple Silicon · Intel · Windows x64 Apple Silicon · Intel · Windows x64 Optimized for Apple Silicon · Intel supported Apple Silicon · Intel · Windows x64 · Economy mode available Optimized for Apple Silicon · Intel supported Optimized native processing · up to 40.3% lower measured on M3 Max · optimized Windows x64 Apple Silicon development build Apple Silicon + Intel Apple Silicon + Intel Apple Silicon · Intel · Windows x64 Apple Silicon · Intel · Windows x64

Release package

macOS AU
Logic Pro compatible
macOS VST3
Ableton · Reaper · Cubase compatible hosts
Windows VST3
VST3 compatible hosts
Standalone
Included for quick local testingNot included · designed for one plugin instance per track
/ 06THE VOID V2 instructions

V2 optimized processing, Turbo, Matter, Consistency and Matrix.

THE VOID V2 2.0.2 · 44.1-192 kHz Auto SRC update

The original Everworks response with a faster engine and new Turbo range.

V2 preserves the original Everworks model and live timing in an optimized engine. Turbo changes Void Amount to 100-200% for stronger cleanup without changing reported latency. At 44.1, 88.2, 96 and 192 kHz, automatic internal sample-rate adaptation preserves the model's native 48 kHz spectral and temporal geometry.

  • Normal Void Amount from 0-100%
  • Turbo Void Amount from 100-200%
  • Matter enable and separate Body amount
  • Consistency Target and Speed
  • Matrix 1-4 amount, trim, bypass, solo and crossovers
↳ Open V2 visual guide
THE VOID V2 interface with Turbo enabled
/ 06OXIDE instructions

Twenty-four machines, gain staging and complete production workflows.

OXIDE Tape Engine 1.0.1

Learn what changes the machine and what only changes level.

The visual guide explains the complete H1-H5 signal path, every control, Full and Economy processing, all 24 model characters, latency, installation and gain-matched workflows for mastering, drums, bass, vocals and parallel colour.

  • Input / Drive versus final Output
  • H1 machine response versus H2-H5 magnetic colour
  • Aligned Source / Tape parallel blend
  • Full and Economy engine differences
  • Searchable 24-model reference library
↳ Open OXIDE visual guide
OXIDE Tape Engine interface
/ 07EverClean documentsTHE VOID V2 documentsSOUL documentsD.N.A VOCALS documentsD.N.A ULTIMATE documentsMAGNETAR documentsATLAS documentsOXIDE documentsSTARDUST documentsLEVIATHAN documentsQUORUM documents

User guides and workflows.

EverClean 1.0.1 · EN EverClean user guide

One-control cleanup workflow, routing, latency, format support and practical setup.

 THE VOID V2 2.0.2 · EN THE VOID V2 architecture and controls

Original Everworks cleanup, Turbo 100-200%, Matter, Body, Consistency, Matrix Control and measured latency.

 SOUL 0.1.0 · EN SOUL regeneration guide

One-control workflow, aligned reconstruction, latency notes and beta packaging status.

 D.N.A VOCALS 1.0.2 · EN D.N.A VOCALS adaptive EQ guide

LTAS observation, nine tonal populations, 30-band causal solver, controls, formats and latency.

 D.N.A ULTIMATE 1.1.3 · EN D.N.A ULTIMATE engine guide

Source profiles, styles, target matching, visible H2-H5 harmonics, Live and Studio signal paths.

 MAGNETAR V2 2.3.0 · EN MAGNETAR V2 mastering guide

Substance, impact, four RESOLVE styles, gain matching, analyzer checks and conservative master-bus setup.

 ATLAS LiveBus · EN ATLAS LiveBus guide

WOW, WEIGHT, PUNCH, AIR, DEPTH, GUARD, Dry/Wet and live-bus translation workflow.

 OXIDE Tape Engine 1.0.1 · EN OXIDE dynamic convolution guide

All 24 models, H1-H5 processing, gain staging, Full and Economy modes, latency and production workflows.

 STARDUST HyperFDN · EN STARDUST reverb guide

Predelay, decay, diffusion, damping, glue, modulation and musical tail placement.

 LEVIATHAN 1.2.0 · EN LEVIATHAN adaptive low-end guide

Pitch tracking, six macros, advanced pages, analyzer, latency and release formats.

 QUORUM 0.3.2 · EN QUORUM distributed automix guide

One instance per channel, global EUCLID/CLASSIC selection, Group/Link routing, Priority, Speed, Range and Clean DNS.
/ 08FAQ

Things engineers ask.

Does it colour the source?

EverClean is a cleanup processor, not a tone preset. Start low, level-match the result and stop when the source is clean enough. Start with ASCEND at 100% and compare at matched level. Learn a representative section before raising STABILITY, then use the independent limiter last. ATLAS is intentionally audible when you push it, but it is built for live translation: the macros add perceived finish while GUARD, Dry/Wet and per-module bypass keep the bus under control. Yes. OXIDE is a colour processor. Use Input to choose the magnetic response, then match Output carefully so model character is not confused with added loudness. It is designed to add space without stealing the dry source. Damping, ducking and glue keep the tail behind the vocal or lead. THE VOID V2 is built as a cleaner, not a tone effect. Push Void Amount until the source tightens; enable Matter and add Body only when the cleaned signal needs reconstruction. SOUL is a regeneration processor rather than an EQ preset. Level-match the result and stop when body and stable detail return naturally. D.N.A VOCALS applies a bounded correction and keeps the source as its starting point. Amount determines how far the vocal moves toward the selected tonal population. D.N.A ULTIMATE starts from a source-specific target, then lets you add and shape H2-H5 harmonics. Amount and harmonic controls remain independent, with Delta and auto gain for honest checks. LEVIATHAN is deliberately audible, but its generated sub, root, resonance, saturation and compression are independent. Start with the six macros low and verify with IMMERSION at matched level. Automix changes level by design, not tone. EUCLID is the spill-aware focused model; CLASSIC is proportional Dugan-style gain sharing. With Clean DNS at zero, neither mode adds local denoise.

Can I run it on in-ear monitor mixes?

Yes. EverClean reports zero samples of plugin latency and is designed for monitoring-sensitive microphone paths. Yes. Use conservative settings first and A/B against bypass at matched level. Yes. Use conservative settings first and A/B against bypass at matched level. Not on latency-critical monitoring paths. OXIDE reports 388 samples at 48 kHz, about 8.08 ms, and is intended for buses, mixing, mastering and latency-tolerant tracking. Yes. Use conservative settings first and A/B against bypass at matched level. Yes. THE VOID V2 has measured 3.8 ms in real testing and is intended for monitoring-sensitive routing. Not on a latency-sensitive monitor path. SOUL reports 4641 samples at 48 kHz, approximately 96.7 ms, and is intended for post, playback or latency-tolerant routing. Yes. The analyzer informs a causal time-domain EQ, so D.N.A VOCALS reports zero samples of latency. Yes. Live mode reports only 3 samples at 48 kHz. Studio mode reports 1920 samples and is intended for phase-matched high-quality rendering. Yes. LEVIATHAN reports zero samples of host latency. Its low-end generation is designed for tracking, live playback, buses and studio inserts. Yes. QUORUM reports zero samples of latency. For monitor mixes, use a dedicated Group/Link and a conservative Range, or disable Automix on channels that must remain fixed.

Will it work on broadcast and corporate gigs?

Yes. Its one-control workflow is intended for fast deployment on lecterns, headsets, lavaliers and vocal microphones. Yes. Version 2.3.0 is the official production build, and host/source feedback remains welcome. Yes. The beta is intended for real production testing, and we want host/source feedback. Yes, when its reported latency is acceptable. Economy reduces CPU for large sessions while Full keeps H1-H5 available for final buses and printing. Yes. The beta is intended for real production testing, and we want host/source feedback. Yes. It is especially relevant for lecterns, lavaliers, headsets and vocal mics in reflective or noisy rooms. Yes, after cleanup and where its reported latency is acceptable. It is designed as a separate reconstruction decision, not as the first live insert. Yes. It is designed for vocal sources in live, broadcast and studio workflows; Freeze can hold a learned correction when the balance is right. Yes. Use Live for tracking, broadcast and performance; use Studio when latency is secondary to maximum rendering quality. Yes. Use conservative ABYSS and ROAR values on full-range systems, then open the advanced output page for mono control, filtering and limiting. Yes. Lecterns, lavaliers, headsets, panels and broadcast microphone groups are its primary workflow: one instance per channel, all assigned to the same Group and Link.

How is it licensed?

Yes. Register free to unlock the download. No payment, no subscription, no watermark.

How can I help improve it?

Run it on real shows, tell us what works, report edge cases and suggest new modules. That is the exchange: free access for useful real-world feedback.

// Free with registration · Full features

Run the next show with EverClean on every channel.

SOUL beta packages are being prepared.

Download OXIDE Tape Engine 1.0.1.

Create a free account to unlock the download. No payment, no subscription, no watermark.

↳ Download for macOS ↳ Download for macOS Intel ↳ Download for Windows ↳ Windows portable VST3 (.zip)
MAGNETAR V2 2.3.0 RESOLVE adds four genuinely different adaptive spectral behaviours: NATURAL, FORWARD, TIGHT and OPEN. The control is exact identity at 0%, the normal working region sits around 50%, and 100% is intentionally strong. macOS ARM64 and Intel are signed, notarized and stapled; Windows x64 is validated and currently unsigned.
QUORUM 0.3.2 Plugin Nap resilience keeps linked instances and global mode changes alive while hosts suspend silent audio. macOS ARM64 and Intel are signed, notarized and stapled; Windows x64 is tested but currently unsigned.
THE VOID V2 2.0.2 Original Everworks cleanup, Turbo 100-200% and automatic 48 kHz model-rate SRC at 44.1 / 88.2 / 96 / 192 kHz. The native 48 kHz path is unchanged. macOS Universal package is signed, notarized and stapled; Windows x64 is optimized and currently unsigned. For 192 kHz stereo, a host buffer of 256 samples or more is recommended.
EverClean 1.0.1 Windows CPU update Static oneMKL backend measured 24.2% lower mono CPU and 21.7% lower stereo CPU in the same-system A/B. No external MKL DLL is required. Windows x64 is validated and currently unsigned.
Signing pending The plugin page is live; official macOS and Windows beta installers will be added after signing and validation.
OXIDE Tape Engine 1.0.1 macOS Universal is signed, notarized and stapled for Apple Silicon and Intel. Windows x64 is validated and currently unsigned. Free registration unlocks both MediaFire downloads.

Everworks Suite · AU · VST3 · Standalone · available builds vary by product · download unlocks after free registrationQUORUM 0.3.2 · AU + VST3 on macOS · VST3 on Windows · download unlocks after free registration