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CPU3.1% CH2.0 FMTAU · VST3 · StandaloneAU · VST3
01 / 14 — ISOLATION / RESTORATION · THE VOID ULTRA

A processor for THE VOID ULTRA on stage.

Shape every THE EQUALIZER layer of the signal.

Sub-bass optimisation chain. Aligns, tightens and contours the low end so kicks, toms and bass guitars share the room — without fighting it. Zero-latency intelligent livebus processor for master, matrix, stream and PA buses. ATLAS adds weight, punch, air and depth while GUARD keeps translation, low-end and peak safety under control. Dynamic convolution tape engine with 24 curated multitrack, mastering, low-speed, cassette and PCM models. OXIDE combines each machine's linear response with level-dependent H2-H5 colour. Musical algorithmic reverb with a 16-line HyperFDN core, 4D tail modulation, spectral EDR fog and subtle glue so vocals, drums and synths bloom without washing away the source. THE VOID ULTRA combines low-latency neural isolation with a dedicated vocal finish. Its redesigned SPECTRAL panel exposes Bands 1-5 and four movable crossovers without another inference pass. THE EQUALIZER 0.1.7 combines a true zero-sample EQ path with independent per-band Dynamics, Spectral, Ride, Harmonics and Color processing inside one high-resolution analyzer. Zero-latency adaptive vocal EQ that observes long-term tone, compares it with one of nine tonal populations and applies a bounded 30-band correction while the direct audio remains in the time domain. Intelligent harmonic EQ for 75 instrument and voice profiles across 12 musical contexts, with adaptive target matching, H2-H5 control and measured Live or phase-matched Studio processing. Adaptive low-end instrument with pitch-aware sub synthesis, root reinforcement, resonance, saturation, compression and a dual high-resolution spectrum view. A zero-latency distributed automixer with two global models. Choose EUCLID for spill-aware source focus or CLASSIC for proportional gain sharing; every linked instance follows the same mode while audio remains local.

Redesigned by Nexeration

Designed by Nexeration

↳ Register to Download Free Imperial release candidate Download public beta 0.1.7 Download OXIDE 1.0.1 View specs
THE VOID ULTRA · Everworks
MAGNETAR ULTRA 3.3.0 interface with SUB FIELD, SPECTRAL CORE and MASTER POST stages ATLAS LiveBus interface with dual RTA OXIDE Tape Engine interface with dynamic tape model controls STARDUST IMPERIAL 4.0.1 plugin interface THE VOID ULTRA interface with Void Amount, Turbo, Consistency, five-band Spectral Focus and LUX controls THE EQUALIZER 0.1.7 dynamic spectral EQ interface D.N.A VOCALS intelligent vocal EQ interface D.N.A ULTIMATE intelligent harmonic EQ interface LEVIATHAN adaptive low-end instrument interface QUORUM 0.3 linked automixer with global EUCLID and CLASSIC modes
EVERWORKS STARDUST Nimbus Vocal EDR TAIL FOG
SPACE ENGINE
MIX38%
PRE28 ms
SIZE64%
DECAY CORE
DECAY4.8 s
DIFFUSIONTEXTURESMOOTHGLUE
TAIL TONE
LOW CUT120 Hz
HIGH CUT16 kHz
WIDTH108%
/ 01Overview

Built for the people.

MAGNETAR ULTRA is part of The Mastering Suite: a five-macro master-bus enhancer with a dual 8192-point RTA, A/B snapshots, gain match and delta monitoring. ATLAS LiveBus is part of The Mastering Suite: a zero-latency intelligent bus processor for live masters, matrices, streams and PA outputs. OXIDE is the magnetic-colour member of The Mastering Suite: 24 curated machines reconstructed with a complete linear response and level-dependent H2-H5 convolution. STARDUST is the third Everworks suite plugin: a musical algorithmic reverb built around a 16-line HyperFDN, tesseract-style delay motion and dynamic Householder feedback. THE VOID ULTRA preserves the original Everworks model and its familiar cleanup response while reducing live CPU, improving cross-platform performance and adding Turbo for difficult sources. THE EQUALIZER 0.1.7 is a dynamic spectral EQ designed around one selected band at a time. Static shape, macro dynamics, fine spectral control, pitch tracking, harmonics and color stay independent and visible. D.N.A VOCALS is an adaptive vocal EQ that compares the stable character of a source with nine tonal populations and applies the result through a causal 30-band filter bank. D.N.A ULTIMATE extends intelligent target matching to voices, instruments, drums and complete mixes, then adds a controllable H2-H5 harmonic layer without hiding the spectrum. LEVIATHAN is an independent adaptive low-end instrument: six immediate macros open into a deep Track, Sub, Tone, Dynamics and Output architecture without adding host latency. QUORUM is a distributed automixer with EUCLID and CLASSIC gain-sharing models. One global selection updates every QUORUM instance in the process while each audio stream remains inside its own track.

  • a.SUBSTANCE fills the sub band without turning the whole master into a louder file.
  • b.IMPACT adds front-edge weight for kicks and bass drops in techno systems.
  • c.COHESION and GLOW are gain-conscious: programme glue, air and presence with controlled headroom.
  • a.WOW, WEIGHT, PUNCH, AIR and DEPTH move the mix psychoacoustically, not as blunt EQ boosts.
  • b.GUARD watches peak, loudness and translation so the bus stays safe in live routing.
  • c.Every module has bypass, the global Dry/Wet works instantly, and the engine stays at 0 samples.
  • a.Twenty-four curated multitrack, mastering, low-speed, cassette and PCM profiles cover subtle cohesion through obvious character.
  • b.Input selects the dynamic behaviour while Harmonics scales H2-H5 independently from the machine's H1 response.
  • c.Full and Economy modes, native mono/stereo processing and latency-aligned blending keep the engine practical across a complete session.
  • a.16-line HyperFDN tank with geometry-modulated Householder feedback.
  • b.EDR tail view: the star dust is the actual wet decay by frequency.
  • c.Texture, smooth, glue and 4D motion keep the tail wide, soft and behind the source.
  • a.Up to 40.3% lower full-process CPU in the measured Apple Silicon comparison, with an optimized Windows x64 build.
  • b.Turbo extends Void Amount to 200% for deeper cleanup without adding latency.
  • c.Turbo, Consistency, five-band Spectral Focus and LUX remain available in the measured 182-sample path at 48 kHz.
  • a.Realtime mode keeps the complete causal path at zero reported samples for live and tracking work.
  • b.Dynamics moves the whole band while Spectral works inside that same region, so broad and microscopic control can run together.
  • c.Ride, Harmonics, Color and Transient / Tonal targeting turn each band into a focused signal-processing lane instead of a static bell.
  • a.Nine tonal populations define a direction without replacing the source identity.
  • b.An 8192-sample analyzer informs a causal 30-band EQ while audio remains in the time domain.
  • c.Amount, Speed, Freeze and frequency bounds keep adaptation under direct control.
  • a.Seventy-five source profiles and twelve styles provide instrument-specific, musically contextual targets.
  • a.Pitch tracking follows fundamentals from 20 to 300 Hz and drives the generated sub and root layers.
  • b.ABYSS, ANCHOR, ROAR, FURY, GRIP and IMMERSION provide a complete low-end workflow from one view.
  • c.The advanced pages expose 82 parameters for tracking, synthesis, tone, dynamics and output safety.
  • a.Insert one instance per microphone, then choose the same Group and Link number on the channels that should cooperate.
  • b.EUCLID identifies the focused source using useful-voice evidence and temporal correlation; CLASSIC distributes gain proportionally from each channel's detected energy.
  • c.The model selection is global. Priority, Speed and Range remain local controls; Clean DNS is optional and never enters the shared bus.
  • b.H2-H5 harmonics remain visible in the RTA and controllable globally or across four bands.
  • c.Live reports 3 samples; Studio uses a 1920-sample phase-matched high-quality path at 48 kHz.
11 16 7 24 4 6 30 75 6 9 controls FDN macros models bands modules bands profiles macros parameters conservative beta factory set HyperFDN feedback lines livebus controls plus global mix curated dynamic convolution machines lower live CPU measured against the previous release independent per-band processing modules causal adaptive EQ bands source-specific target profiles immediate low-end controls focused parameters per channel
189 5 0 388 3.8 0 0 3 0 0 samples modes samples samples ms samples samples samples samples samples zero-latency master insert Chamber · Plate · Hall · Nimbus · Infinity zero-latency direct livebus path reported latency at 48 kHz 3.8 ms measured source path reported latency in Realtime mode zero reported latency reported latency in Live mode reported host latency reported host latency
100 % free after registration
/ 02How it works

Three stages. One signal path.

01 Listen

Multiband sub analysis Psychoacoustic bus read Follow the incoming level Energy decay relief Optimized source cleanup Place the band Long-term vocal observation Identify source and context Track the fundamental Publish local evidence

MAGNETAR splits the master around the sub band and tracks low-end energy before adding anything, so the enhancement starts from the mix instead of a fixed tone. ATLAS follows crest, loudness, transient density and broad spectral balance so the macros react like a live engineer touching the bus. OXIDE tracks the local peak envelope and uses it to select and interpolate the captured dynamic state of the active machine. STARDUST reads the wet tail as a frequency-time field, so the visual fog follows the decay instead of decorating it. THE VOID ULTRA analyzes the incoming source through its low-latency neural isolation engine before the integrated finishing stage. Create a node, choose its filter shape and target Stereo, Mid, Side, Left, Right, Transient or Tonal material directly on the analyzer. A periodic-Hann LTAS analyzer measures the stable vocal spectrum while the direct signal continues uninterrupted. Choose one of 75 source profiles and a musical context so the target is relevant to the instrument, register and production style. A guarded pitch detector follows the useful 20-300 Hz fundamental while the dual analyzer keeps input and output energy readable. Each instance measures input energy, useful voice, noise floor, confidence and an eight-bin temporal signature, then publishes only that compact metadata to its selected Group and Link.

02 Decide

Coherence first Enhance under guard Rebuild the magnetic response Dense, not metallic Extend cleanup depth Choose the behavior Compare, then bound Match and shape harmonics Build and control weight Choose the group decision law

SUBSTANCE adds controlled sub support, IMPACT shapes punch, GLOW opens the top aura and COHESION glues the master with controlled headroom. WOW glues, WEIGHT anchors, PUNCH restores front edge, AIR opens presence, DEPTH widens perceived space, and GUARD keeps the bus inside live limits. Partitioned convolution applies the complete H1 response and the level-dependent H2-H5 branches. Harmonics scales colour without removing the machine profile. Prime delay spacing, all-pass delay drift and a 4D-modulated Householder matrix build density while avoiding obvious ringing. Normal mode preserves the original 0-100% response. Turbo extends the range to 200% for sources that need stronger cleanup. Keep it static or add Dynamics, Spectral, Ride, Harmonics or Color. Each module has its own enable state, visual feedback and Delta audition. D.N.A VOCALS compares the source with the selected tonal population and solves a restrained correction inside independent boost, cut and frequency limits. The adaptive EQ follows the selected target while H2-H5, motion, character and dynamics determine how harmonic energy is generated and distributed. Sub synthesis, root reinforcement and resonant tone are shaped through saturation and compression, with each stage available in the advanced pages. EUCLID compares useful-source evidence and rejects correlated spill. CLASSIC follows proportional gain sharing from channel energy. Changing the mode in one instance changes it across the entire linked QUORUM process.

03 Deliver

Translatable low end Direct live output Blend and gain match Glue behind the source Same live timing, lower CPU Verify the result Causal adaptive output Choose Live or Studio Deliver a controlled low end Apply locally, share no audio

The output is gain-conscious for master bus use: more weight and presence, without pretending a fader lift is processing. The path is direct and zero-latency: no lookahead master limiter, no offline-style latency, just controllable live enhancement with Dry/Wet and instant bypass. Source/Tape combines latency-aligned dry and processed paths, then Output restores matched level for an honest bypass comparison. Per-line damping, wet ducking and subtle saturation let the HyperFDN bloom musically without masking vocals or leads. Normal and Turbo both use the same measured 3.8 ms live path. Turbo adds no extra latency. Use input, output and EQ traces, per-band Solo and module Delta to separate actual processing from simple loudness change. A 30-band biquad bank moves at the selected speed in the time domain, so the adaptive EQ reports zero samples of latency. Live keeps monitoring immediate at 3 samples, while Studio switches to a 1920-sample phase-matched path for maximum rendering quality at 48 kHz. Mono control, output EQ, high-pass filtering, limiting and global mix keep the generated weight practical at zero reported samples. Speed smooths the local gain, Range limits attenuation and optional Clean DNS reduces local noise. Audio never leaves the plugin instance and the host sees zero samples of latency.

/ 03Features

Five core macros and a dual 8192-point RTA. Seven live controls for a bigger, safer bus. Twenty-four machines. One level-aware tape engine. Six tools for a 4D musical space. ULTRA: low-latency isolation with controllable Turbo depth. One analyzer. Six independent ways to shape a band. Six controls for adaptive vocal direction. Source-aware EQ and harmonics in one readable engine. Six macros above an 82-parameter low-end engine. Linked automixing without a central rack.

f.01

SUBSTANCE WOW 24-model library 16-line HyperFDN engine Optimized Everworks engine Realtime 0 Samples Nine tonal targets 75 source profiles ABYSS · Sub Level One instance per channel

Low extension and sub fill tuned for techno masters and large PA sub arrays. Psychoacoustic cohesion that makes a live mix feel more finished without needing master-bus latency. Multitrack, stereo mastering, dual-mono, portable, cassette and early PCM profiles cover subtle cohesion through obvious character. A 16-line feedback tank uses prime spacing, all-pass delay drift and dynamic Householder mixing to build density without metallic repeats. The isolation core and finishing stage work in sequence as one protected Everworks source-cleaning engine. A fixed causal spectral core keeps live and tracking paths responsive while Minimum and Linear Phase remain available for higher-latency work. Genome, Organic, Gravity, Neon, Pulse, Gloss, Depth, Focus and Air define the direction of travel. Detailed profiles cover voices, drums, basses, guitars, keys, orchestral instruments, electronic sources and full mixes. Adds a pitch-following sub layer with tracking offset, fallback tuning, gate depth and percussive response available underneath. Use QUORUM directly on each microphone track. Instances discover one another through the shared control bus, so no multichannel wrapper or central audio router is required.

f.02

IMPACT WEIGHT Input / Drive Spectral EDR fog Turbo · 100-200% Macro + Micro Dynamics Amount Musical context ANCHOR · Root Tone EUCLID / CLASSIC global mode

Transient weight for kick authority and drops, shaped to avoid broad master gain jumps. Low-gravity bus support for PA and stream feeds, tuned to feel solid before it feels louder. Input does more than raise level: it moves the selected machine through its captured dynamic kernel states. The analyzer draws the wet decay as a moving frequency cloud, making tail energy readable at a glance. At 200%, Turbo extends suppression depth while keeping the same reported latency and a protected output range. Broadband Dynamics and fine Spectral control can operate simultaneously, with independent activity traces and Delta monitoring. Blend from the natural source toward the continuously learned correction without replacing its identity. Twelve style contexts reshape the target for the role the source must play, rather than applying one generic curve everywhere. Reinforces the detected fundamental with controllable frequency, Q and gain instead of applying a broad fixed bass boost. EUCLID prioritises source focus and spill rejection. CLASSIC provides proportional gain sharing. Select either model once and every QUORUM instance follows it.

f.03

COHESION PUNCH H1-H5 convolution Early reflections Five bands · LUX · 182 samples Pitch + Harmonic Color Speed Visible H2-H5 engine ROAR · Resonance Spill-aware correlation

Master polish and glue inspired by high-end limiter workflows. Powerful by design; conservative by default. Transient focus for drums, playback and full-band buses, with safety compensation built around live gain staging. H1 reproduces frequency and phase while H2-H5 add level-dependent magnetic colour through partitioned FFT convolution. Deterministic stereo taps define depth in the first milliseconds while preserving the dry front edge. Five-band Spectral Focus, movable crossovers, Consistency and optional LUX finishing stay inside the measured 3.8 ms live path. Ride tracking, editable harmonic series and per-band color circuits add musical movement and density exactly where the selected band lives. Slow, Medium and Fast determine how quickly the EQ follows a changing vocal performance. Second through fifth harmonics are measured in the RTA, shown with persistent trails and controlled independently. Shapes focused resonant character around the tracked low end, with drive, slope and mix controls for exact placement. Eight temporal energy bins let the group detect similar material arriving across microphones and avoid opening several channels for the same source.

f.04

GLOW AIR Harmonics 0-200% Damping and diffusion Freeze Motion and character FURY · Saturation Group A-D · Link 1-8

Champagne air for presence and openness after the low-end work, without turning the plugin into a bright EQ. High-band clarity and expensive shine shaped for live systems, not a static top-end shelf. Scale nonlinear colour independently. Zero keeps the machine's H1 profile, 100% is calibrated and higher settings exaggerate texture. Per-line feedback absorption lets high frequencies die naturally before the body of the tail. Hold the learned correction when the vocal reaches the right balance, then release it when adaptation should resume. Transient or Sustain motion, Even or Odd character and linked or independent dynamics define how the harmonic layer behaves. Adds audible harmonic density with drive, bias, even/odd balance, shape, target range and selectable quality. Create independent automix pools inside one DAW or plugin server. Only instances with the same Group and Link number compete with one another.

f.05

DRY / WET DEPTH Aligned Source / Tape Glue and ducking Frequency bounds Four bands and pitch follow GRIP · Compression Priority · Speed · Range

Global parallel blend for instant level-conscious A/B decisions without leaving the core view. Perceived dimension and width enhancement for buses that need depth without reverb smear or added latency. A latency-aligned source path makes parallel blending and bypass comparisons phase coherent across the full 0-100% range. Subtle saturation and envelope-aware wet ducking keep the reverb expensive, present and out of the way. Automatic or manual low and high edges plus independent maximum boost and cut keep correction focused. The advanced panel distributes harmonic processing across four bands and can track the fundamental of pitched material. Controls low-end dynamics with threshold, ratio, knee, attack, release, range and automatic makeup options. Bias important microphones, choose Fast, Natural or Smooth movement, and set the maximum attenuation without disturbing the shared detector logic.

f.06

Dual RTA + A/B GUARD + Dry/Wet Full / Economy Five musical modes Mid and output Live, Studio and safety IMMERSION · Wet Mix Local Clean DNS

An 8192-point input/output analyzer, A/B snapshots, gain match, Delta and Live Lock make every move easy to verify. Live-safe macro with global blend and per-module bypass, so engineers can add only the lift the show can take. Full evaluates H1-H5. Economy keeps the complete linear response with H1-H3 and a bounded dynamic tail for larger sessions. Chamber, Plate, Hall, Nimbus and Infinity cover tight vocals, lush plates and cinematic tails. Focus adaptation on the stereo centre and match the final level with output trim for honest A/B checks. Measured latency is reported to the host, with Delta, auto gain, mono safety and alias protection available for reliable A/B decisions. Blends the complete engine against the dry source while output EQ, mono control, filtering and limiting protect the result. A causal denoise stage works independently on each track after gain sharing. Its audio and state remain local and the path still reports zero samples.

/ 04Core modules

MAGNETAR signal path. Five macros and live analysis.

m.01SUBSTANCE macro
m.02IMPACT transient weight
m.03COHESION master glue
m.04GLOW champagne air
m.05DRY / WET parallel blend
m.068192-point dual RTA
m.07A/B · Match · Delta · Live Lock
m.08AU · VST3 · Standalone
/ 04Core modules

LEVIATHAN signal path. Track, generate, shape and contain.

l.01Adaptive pitch tracker · 20-300 Hz
l.02ABYSS · pitch-following sub
l.03ANCHOR · root reinforcement
l.04ROAR · resonance contour
l.05FURY · harmonic saturation
l.06GRIP · low-end dynamics
l.07IMMERSION · global wet mix
l.08Output EQ · mono · HPF · limiter
l.098192 FFT · 128-bin dual RTA
l.10AU · VST3 · Standalone
/ 04Core modules

QUORUM signal path. Detect locally, choose globally, apply locally.

QUORUM 0.3 interface showing global EUCLID and CLASSIC automix selection
One global model selection · shared detector metadata · local audio only
q.01Local input · useful voice · noise-floor detector
q.02Eight-bin temporal channel signature
q.03Process-wide metadata bus · no shared audio
q.04Global EUCLID / CLASSIC decision model
q.05Relative-focus scoring · voice confidence
q.06Constant-power linked gain share
q.07Group A-D · Link 1-8 isolation
q.08Priority · Speed · Range controls
q.09Independent local causal Clean DNS
q.10AU · VST3 · zero samples reported
/ 04Core modules

STARDUST IMPERIAL 4.0.1. Space, pitch, tone and spectral room in one field.

STARDUST IMPERIAL 4.0.1 interface with high-resolution spectrum and Imperial controls
STARDUST IMPERIAL 4.0.1 · Algorithm · Hybrid · Convolution · Redesigned by Nexeration
s.0116-Line HyperFDN · 4D Householder
s.02Algorithm · Hybrid · Convolution
s.03Six-Band RT60 · EDR Tail Field
s.04Punch / Body Input Shaping
s.05Shimmer Return · -24 / +24 semitones
s.06Tonal Focus / Reject
s.07Adaptive Spectral Demasking
s.08Tempo Sync · IR Import · Presets
/ 04Core modules

ATLAS LiveBus modules. Psychoacoustic lift, live-safe control.

a.01WOW cohesion
a.02WEIGHT low gravity
a.03PUNCH transient lift
a.04AIR shine
a.05DEPTH dimension
a.06GUARD live safe
a.07Per-module bypass
a.08Global Dry/Wet
a.09A/B · Match · Delta
a.10TP · LUFS · SAFE meters
a.11Zero-latency direct path
a.12AU · VST3 · Standalone
/ 04Core modules

OXIDE signal path. Follow, convolve, blend and gain match.

o.0124-model selector
o.02Input / Drive
o.03Local level follower
o.04Dynamic kernel interpolation
o.05H1 linear response
o.06H2-H5 magnetic colour
o.07Harmonics scaling
o.08Aligned Source / Tape
o.09Output gain match
o.10Full / Economy engine
o.11Mono / Stereo processing
o.12AU / VST3 / Standalone
/ 04Core modules

D.N.A VOCALS signal path. Deep analysis, causal audio.

d.018192-sample LTAS analyzer
d.02Tonal population matcher
d.0330-band response solver
d.04Causal biquad filter bank
d.05Target selector
d.06Amount blend
d.07Slow · Medium · Fast
d.08Freeze state
d.09Low / high frequency bounds
d.10Maximum boost / cut
d.11Mid focus
d.12Output trim
/ 04Core modules

D.N.A ULTIMATE signal path. Target intelligence plus harmonic design.

u.0175 source target profiles
u.0212 musical contexts
u.03Adaptive target EQ
u.04H2 · H3 · H4 · H5 engine
u.05Harmonic amount
u.06Transient / Sustain motion
u.07Even / Odd character
u.08Linked / Independent dynamics
u.09Four-band harmonic balance
u.10Pitch follow
u.11Delta · Auto Gain · Mono Safety
u.12Live / phase-matched Studio
/ 04Core modules

THE VOID ULTRA. Neural isolation, five-band Spectral Focus and optional LUX finishing.

THE VOID ULTRA with neural isolation, five-band Spectral Focus and optional LUX finishing
THE VOID ULTRA 1.1.0 · 182 samples / 3.8 ms at 48 kHz · five assignable bands · movable crossovers · optional LUX finishing.
v.01Low-latency neural isolation core
v.02Void Amount · normal 0-100%
v.03Turbo · extended range 100-200%
v.04Spectral Focus · five assignable bands
v.05Consistency · target and speed
v.06Four-band Matrix · 3.8 ms live path
/ 04Core modules

THE EQUALIZER 0.1.7. Static shape and advanced processing stay in one band workflow.

THE EQUALIZER 0.1.7 processing a real multiband signal with Spectral active
Spectral processing · real DSP validation signal · Dynamics and Spectral activity visible.
THE EQUALIZER 0.1.7 processing a real multiband signal with Color active
Color processing · real DSP validation signal · Dual Triode character active.
e.01Static EQ · 24 bands / 11 filter shapes
e.02Dynamics · whole-band movement
e.03Spectral · fine resonance control
e.04Ride · pitch and MIDI tracking
e.05Harmonics · editable musical series
e.06Color · per-band exciter and saturation
/ ATLASLiveBus release

ATLAS LiveBus is ready for live tests.

Built from the zero-latency Magnetar base and redesigned for direct live buses: bigger perceived mix, safer output, instant bypass, Dry/Wet and clear TP/LUFS/SAFE feedback.

ATLAS LiveBus plugin screenshot with dual RTA
Release package
Latency0 samples
FormatsAU · VST3 · App
macOS13+ Universal
Windowsx64 VST3 · App
ValidatedAUVAL · Measure
Bus useMaster · Matrix · Stream
↳ Download for macOS ↳ Download for Windows
/ 04Open community

Not to sell, but to improve together.

⚡️

100% Free for Everyone

Register once and download the available Everworks plugins for free. No subscription, no watermark, no paid license. In return, we ask for real-world feedback from engineers and testers.

🛡️

Real-World Telemetry

Help us refine the Everworks engines. Share feedback on specific sources, microphones, rooms, stages and demanding setups.

🤝

Shape the Beta

Suggest features, vote on new DSP modules, and collaborate directly with the Everworks developers on future versions.

Open community board Join the Discord
/ 05Technical

Specs & compatibility.

Plugin formats

Formats
AU · VST3 · StandaloneAU · VST3
Binary
Universal (arm64 + x86_64)Universal 2 · arm64 + x86_64macOS ARM64 · macOS x86_64 · Windows x64
Package
macOS Universal · Windows x64Signed and notarized macOS Universal DMGSigned and notarized Universal DMGSigned and notarized Universal DMGSigned + notarized macOS DMGs · Windows x64 installer
Modes
Clean Master · Master Safe · Techno Weight · KS28 Sub Fill · Kick Authority · Air Glue · Festival Check WOW · WEIGHT · PUNCH · AIR · DEPTH · GUARD · Dry/Wet 24 models · Input / Drive · Output · Source / Tape · Harmonics · Full / Economy Chamber · Plate · Hall · Nimbus · Infinity Void Amount · Turbo 100-200% · Consistency · Spectral Focus Realtime · Minimum Phase · Linear Phase Genome · Organic · Gravity · Neon · Pulse · Gloss · Depth · Focus · Air 75 sources · 12 styles · H2-H5 · Live / Studio ABYSS · ANCHOR · ROAR · FURY · GRIP · IMMERSION EUCLID / CLASSIC global mode · Automix · Group A-D · Link 1-8 · Priority · Speed · Range · Clean DNS

Audio engine

Sample rates
44.1 / 48 / 88.2 / 96 kHz 44.1 / 48 / 88.2 / 96 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 / 192 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 kHz 44.1 / 48 / 88.2 / 96 kHz
Bit depth
32-bit float internal
Channels
Mono · Stereo
Latency
0 samples · 32-bit float internal · 44.1-96 kHz 0 samples · direct livebus path · 32-bit float internal 388 samples / 8.083 ms @ 48 kHz · latency-aligned source and tape paths Zero dry latency · 16-line HyperFDN · 44.1-192 kHz tested 152 / 182 / 413 / 368 / 846 samples @ 44.1 / 48 / 88.2 / 96 / 192 kHz · automatic internal model-rate SRC Realtime 0 samples · transported Minimum / Linear Phase 0 samples reported · causal 30-band EQ · 44.1-192 kHz tested Live: 3 samples / 0.06 ms · Studio: 1920 samples / 40 ms @ 48 kHz 0 samples reported · direct adaptive low-end path 0 samples reported · linked metadata updates on the next host callback

System

macOS
13 Ventura or newer 13 Ventura or newer 13 Ventura or newer · Universal 13 Ventura or newer 13+ Intel · 14+ Apple Silicon macOS Universal DMG · AU · VST3 · App 13 Ventura or newer · Universal 13 Ventura or newer · Universal 13 Ventura or newer · Universal 13 Ventura or newer · separate Apple Silicon and Intel packages
Memory
Zero allocation (audio thread)
Precision
float32 deterministic
CPU
Optimized for Apple Silicon · Intel supported Optimized for Apple Silicon · Intel supported Apple Silicon · Intel · Windows x64 · Economy mode available Optimized for Apple Silicon · Intel supported Optimized native processing · up to 40.3% lower measured on M3 Max · optimized Windows x64 THE EQUALIZER 0.1.7 public beta Apple Silicon + Intel Apple Silicon + Intel Apple Silicon · Intel · Windows x64 Apple Silicon · Intel · Windows x64

Release package

macOS AU
AU-compatible macOS hosts
macOS VST3
VST3-compatible hosts
Windows VST3
VST3 compatible hosts
Standalone
Included for quick local testingNot included · designed for one plugin instance per track
/ 06THE VOID ULTRA instructions

ULTRA isolation, Turbo depth, five-band spectral control and LUX finishing.

THE VOID ULTRA 1.1.0 · low-latency isolation and five-band Spectral Focus

Isolation, finishing and spectral balance in one low-latency signal path.

THE VOID ULTRA combines low-latency neural isolation with a dedicated vocal finish. Turbo changes Void Amount to 100-200% for stronger cleanup without changing reported latency. At 44.1, 88.2, 96 and 192 kHz, automatic internal sample-rate adaptation preserves the model's native 48 kHz spectral and temporal geometry.

  • Normal Void Amount from 0-100%
  • Turbo Void Amount from 100-200%
  • Optional LUX finishing with its own Active switch
  • Consistency Target and Speed
  • Five-band Spectral Focus with four adjustable crossover points
↳ Open THE VOID ULTRA guide
THE VOID ULTRA interface with Turbo enabled
/ 06OXIDE instructions

Twenty-four machines, gain staging and complete production workflows.

OXIDE Tape Engine 1.0.1

Learn what changes the machine and what only changes level.

The visual guide explains the complete H1-H5 signal path, every control, Full and Economy processing, all 24 model characters, latency, installation and gain-matched workflows for mastering, drums, bass, vocals and parallel colour.

  • Input / Drive versus final Output
  • H1 machine response versus H2-H5 magnetic colour
  • Aligned Source / Tape parallel blend
  • Full and Economy engine differences
  • Searchable 24-model reference library
↳ Open OXIDE visual guide
OXIDE Tape Engine interface
/ 07THE VOID ULTRA documentsTHE EQUALIZER documentsD.N.A VOCALS documentsD.N.A ULTIMATE documentsMAGNETAR documentsATLAS documentsOXIDE documentsSTARDUST IMPERIAL documentsLEVIATHAN documentsQUORUM documents

User guides and workflows.

THE VOID ULTRA 1.1.0 · EN THE VOID ULTRA architecture and controls

Neural isolation, five-band Spectral Focus, Turbo, Consistency, optional LUX finishing and measured latency.

 THE EQUALIZER 0.1.7 · EN THE EQUALIZER user guide

Realtime, Minimum and Linear Phase modes, band targeting, Dynamics, Spectral, Ride, Harmonics, Color and Delta workflows.

 D.N.A VOCALS 1.0.2 · EN D.N.A VOCALS adaptive EQ guide

LTAS observation, nine tonal populations, 30-band causal solver, controls, formats and latency.

 D.N.A ULTIMATE 1.1.3 · EN D.N.A ULTIMATE engine guide

Source profiles, styles, target matching, visible H2-H5 harmonics, Live and Studio signal paths.

 MAGNETAR ULTRA · EN MAGNETAR ULTRA mastering guide

Substance, impact, finish, gain matching, analyzer checks and conservative master-bus setup.

 ATLAS LiveBus · EN ATLAS LiveBus guide

WOW, WEIGHT, PUNCH, AIR, DEPTH, GUARD, Dry/Wet and live-bus translation workflow.

 OXIDE Tape Engine 1.0.1 · EN OXIDE dynamic convolution guide

All 24 models, H1-H5 processing, gain staging, Full and Economy modes, latency and production workflows.

 STARDUST IMPERIAL 4.0.1 · EN STARDUST IMPERIAL reverb guide

Predelay, decay, diffusion, damping, glue, modulation and musical tail placement.

 LEVIATHAN 1.2.0 · EN LEVIATHAN adaptive low-end guide

Pitch tracking, six macros, advanced pages, analyzer, latency and release formats.

 QUORUM 0.3.2 · EN QUORUM distributed automix guide

One instance per channel, global EUCLID/CLASSIC selection, Group/Link routing, Priority, Speed, Range and Clean DNS.
/ 08FAQ

Things engineers ask.

Does it colour the source?

Start with every module off. Build the Sub Field, then the Spectral Core, and use ASCEND, STABILITY and LIMITER only when the programme needs them. Compare with MATCH or bypass at a fair level. ATLAS is intentionally audible when you push it, but it is built for live translation: the macros add perceived finish while GUARD, Dry/Wet and per-module bypass keep the bus under control. Yes. OXIDE is a colour processor. Use Input to choose the magnetic response, then match Output carefully so model character is not confused with added loudness. It is designed to add space without stealing the dry source. Damping, ducking and glue keep the tail behind the vocal or lead. THE VOID ULTRA is built as a cleaner, not a tone effect. Push Void Amount until the source tightens; use Spectral Focus when a specific region needs less isolation, and add LUX only when finishing benefits the source. It can be transparent or deliberately audible. Start with Static EQ, then enable only the module that solves the next problem and use that module's Delta output to verify its contribution. D.N.A VOCALS applies a bounded correction and keeps the source as its starting point. Amount determines how far the vocal moves toward the selected tonal population. D.N.A ULTIMATE starts from a source-specific target, then lets you add and shape H2-H5 harmonics. Amount and harmonic controls remain independent, with Delta and auto gain for honest checks. LEVIATHAN is deliberately audible, but its generated sub, root, resonance, saturation and compression are independent. Start with the six macros low and verify with IMMERSION at matched level. Automix changes level by design, not tone. EUCLID is the spill-aware focused model; CLASSIC is proportional gain sharing. With Clean DNS at zero, neither mode adds local denoise.

Can I run it on in-ear monitor mixes?

Yes. Use conservative settings first and A/B against bypass at matched level. Yes. Use conservative settings first and A/B against bypass at matched level. Not on latency-critical monitoring paths. OXIDE reports 388 samples at 48 kHz, about 8.08 ms, and is intended for buses, mixing, mastering and latency-tolerant tracking. Yes. Use conservative settings first and A/B against bypass at matched level. Yes. THE VOID ULTRA has measured 3.8 ms in real testing and is intended for monitoring-sensitive routing. Yes. Realtime reports zero samples. Minimum Phase and Linear Phase intentionally add latency for their higher-resolution transported processing. Yes. The analyzer informs a causal time-domain EQ, so D.N.A VOCALS reports zero samples of latency. Yes. Live mode reports only 3 samples at 48 kHz. Studio mode reports 1920 samples and is intended for phase-matched high-quality rendering. Yes. LEVIATHAN reports zero samples of host latency. Its low-end generation is designed for tracking, live playback, buses and studio inserts. Yes. QUORUM reports zero samples of latency. For monitor mixes, use a dedicated Group/Link and a conservative Range, or disable Automix on channels that must remain fixed.

Will it work on broadcast and corporate gigs?

Yes. The current production release is intended for real-world use, and host/source feedback remains welcome. Yes. The current production release is intended for real-world use, and host/source feedback remains welcome. Yes, when its reported latency is acceptable. Economy reduces CPU for large sessions while Full keeps H1-H5 available for final buses and printing. Yes. The current production release is intended for real-world use, and host/source feedback remains welcome. Yes. It is especially relevant for lecterns, lavaliers, headsets and vocal mics in reflective or noisy rooms. Yes. Realtime mode, per-band targeting and independent Delta monitoring are designed for live, tracking and mixing; reserve transported modes for latency-tolerant paths. Yes. It is designed for vocal sources in live, broadcast and studio workflows; Freeze can hold a learned correction when the balance is right. Yes. Use Live for tracking, broadcast and performance; use Studio when latency is secondary to maximum rendering quality. Yes. Use conservative ABYSS and ROAR values on full-range systems, then open the advanced output page for mono control, filtering and limiting. Yes. Lecterns, lavaliers, headsets, panels and broadcast microphone groups are its primary workflow: one instance per channel, all assigned to the same Group and Link.

How is it licensed?

Yes. Register free to unlock the download. No payment, no subscription, no watermark.

How can I help improve it?

Run it on real shows, tell us what works, report edge cases and suggest new modules. That is the exchange: free access for useful real-world feedback.

// Free with registration · Full features

Run the next show with THE VOID ULTRA on every channel.

Download THE EQUALIZER 0.1.7 public beta.

STARDUST IMPERIAL 4.0.1 is in final release validation.

Download OXIDE Tape Engine 1.0.1.

Create a free account to unlock the download. No payment, no subscription, no watermark.

↳ Download for macOS ↳ Download for macOS Intel ↳ Download for Windows ↳ Windows portable VST3 (.zip)
QUORUM 0.3.2 Plugin Nap resilience keeps linked instances and global mode changes alive while hosts suspend silent audio. macOS ARM64 and Intel are signed, notarized and stapled; Windows x64 is tested but currently unsigned.
THE VOID ULTRA 1.1.0 Neural isolation, dedicated vocal finishing, Turbo 100-200%, five-band Spectral Focus with four adjustable crossovers and automatic internal sample-rate adaptation at 44.1 / 88.2 / 96 / 192 kHz. The macOS Universal package is signed, notarized and stapled; Windows x64 is validated and currently unsigned. For 192 kHz stereo, a host buffer of 256 samples or more is recommended.
Imperial 4.0.1 · release candidate The new interface and complete Imperial engine are documented; fresh platform packages follow final validation.
macOS Universal · signed and notarized The macOS AU, VST3 and standalone package is signed, notarized, stapled and covered by SHA-256. Windows remains outside public distribution until Authenticode signing is available. SHA-256 manifest
OXIDE Tape Engine 1.0.1 macOS Universal is signed, notarized and stapled for Apple Silicon and Intel. Windows x64 is validated and currently unsigned. Free registration unlocks both MediaFire downloads.

Everworks Suite · AU · VST3 · Standalone · available builds vary by product · download unlocks after free registrationQUORUM 0.3.2 · AU + VST3 on macOS · VST3 on Windows · download unlocks after free registration